Still not back to live-blogging American Top 40 countdowns. But, I’ll write about a local chart when I can find one.
And — courtesy the ARSA database of local radio airplay charts — here’s one carved from the heart of the summer of ’78. The week ending July 31, 1978, to be specific, for Allentown’s old hit-radio station, WKAP-AM 1320.
It’s a pretty epic week, as it turns out — some of the defining hits of the year, and some good stories to tell for them what are interested in such things.
Here goes, then:
– At Nos. 1 and 2, the pure products of 1978 go crazy. The theme song from the Movie of the Summer goes head-to-head with the Musical Style of the Year, represented by its principal diva singing one of her most irresistible songs. Truly, this battle must have made Mothra vs. Godzilla look like two Pop Warner teams on a muddy field.
In the end, wily old Frankie Valli would emerge successful, defending the craggy mountaintop that is Number One in Allentown with a terrible swift sword. I do not know who won the battle the following week; it might well have been his temporarily vanquished super-rival.
As you can see, the last week in July was a pretty damn good one for “Grease.” The movie placed three songs in the WKAP Top 10 and a fourth at No. 16. Three of those songs were moving up on the charts that week, and the theme tune would probably have moved up too if there were anywhere to go from Number One.
(Ironically, the week ending July 30 was the only week between mid-June and mid-October when John and Livvie’s high school musical wasn’t Number One at the U.S. box office. “National Lampoon’s Animal House” took the honors that week.)
– At No. 3, we get a whole lot less epic in a hurry.
The Jefferson Starship had struck mellow gold with Marty Balin’s “Miracles” in ’75, then struck silver with Balin’s similarly lovey-dovey “With Your Love” in ’76.
Like Bill Buckner trying to take third on Reggie Jax in Game Five of the ’74 Series, the Starship thought they could go for three with the Balin-sung “Runaway.”
Unlike Buckner, the Starship got a hit out of their gamble, landing at No. 12 nationally. “Runaway” is the sort of flaccid, repetitive, hollow song that gives mellow gold a bad name, though.
They would have better off taking a gutsy chance and getting shot down for it, the way Buckner did.
(Both Buckner and the Starship would go on to much greater indignities in the mid-’80s.)
– No. 4, meanwhile, is laid-back California the way laid-back California was meant to be done, and good summer-twilight highway music.
– No. 5 brings us an oddity, and a bit of a high-water mark.
Vocal group Boney M, the product of future Milli Vanilli producer Frank Farian, was phenomenally popular in Europe in the late ’70s. On the list of top-selling singles of all time in the U.K., Boney M is the only performer with two songs in the Top 10.
They never approached those heights in the U.S. “Rivers of Babylon,” with a No. 30 peak, was the group’s highest-placing (maybe even only) U.S. Top Forty single. The people of the Lehigh Valley loved it, though, sending it to No. 5 on the WKAP chart against some stiff competition.
This chart is Boney M’s highest placing on any American chart in the ARSA database.
So, whatever magic the people in England and Germany perceived was apparently audible only in Allentown, Bethlehem and Easton on this side of the pond … and never more so than it was in the last week of July, 1978.
– No. 10, with its nostalgic, even elegiac quality (“Now that we’ve come to the end of our rainbow”), would have made an interesting back-to-back play with No. 6 or No. 16, with their headlong teenagers-madly-in-love vibe.
– At Nos. 12 through 14, we get a solid three-fer blast of meat-and-potatoes Rock from Springsteen, Seger and the Stones.
By comparison, the Stones were No. 3 on the national Top 40 that same week; Seger was No. 7; and Springsteen’s “Prove It All Night” was completely absent.
– You can’t exactly compare Casey Kasem’s national countdown with WKAP’s chart because the Allentown chart has only 25 records, not 40.
Still, a bunch of the songs on the national Top 40 this week were totally absent from WKAP’s chart.
Nationwide hits not making the grade in the Lehigh Valley included Gerry Rafferty’s “Baker Street” (No. 2 nationally); Heatwave’s “The Groove Line” (No. 9); Joe Walsh’s “Life’s Been Good” (No. 14); ABBA’s “Take A Chance On Me” (No. 17); Steely Dan’s “FM” (No. 22); Jackson Browne’s “The Load-Out/Stay” (No. 23); Steve Martin’s “King Tut” (No. 24); Todd Rundgren’s “Can We Still Be Friends” (No. 30) and “Macho Man” by the Village People (No. 40).
Some pretty good records in that pile; I hope at least some of them were on the air here.
– Besides “Prove It All Night,” tunes on the WKAP chart that were not on the national Forty included Dave Mason’s “Will You Still Love Me Tomorrow;” Earth Wind & Fire’s “Got To Get You Into My Life” and Exile’s “Kiss You All Over.”
– Down on the nether end of the WKAP chart, we have what I consider to be two of the late ’70s’ classier one-hit wonders at No. 22 and No. 25.
No. 22 starts with a dreadful cardboardy-sounding drum machine and unexpectedly blossoms into a lovely, melodic mellow-gold excursion with a ten-foot-tall chorus.
No. 25 has rather stronger raw materials to work with — think Stevie Nicks and Lindsey Buckingham — but doesn’t waste them.
– The deejays bringing us all these tunes on WKAP included the immortal Smokin’ Doug on the 6 p.m.-to-midnight shift.
For some reason that strikes me as just about the goofiest name I’ve ever heard a DJ adopt. To me, it just doesn’t ring.
The Interwebs tell me that Smokin’ Doug (Hanley was his last name, at least on-air) later ended up at WEEX across the Valley in Easton. No idea where he went after that.
Perhaps he is selling ads or siding or something, and still remembering how nice “Fool If You Think It’s Over” sounded coming out of the studio monitors.
5 thoughts on “The heart of summer.”
This is great. I might also cast a vote for “You” by Rita Coolidge, which was one of my favorite songs of that moment, and “Hot Blooded” by Foreigner, because it sounded crazy good on AM.
“Rivers of Babylon” and “Rasputin” still get significant airplay on Canadian oldies radio stations. You know, when they’re not playing Chiliwack.
Do followers understand that YOU played bass for arguably the all time greatest HS rendition of Grease?!
I do not think I have ever told that story. Maybe I will have to. Although anyone not in the auditorium might never appreciate the full glory.
Was this the one in E.R.?