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Peanut butter, meet chocolate.

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If I had the necessary software to make mashups, I might never leave the basement.

(This assumes that Real-Life Me ever actually does leave the basement, which most of you do not know for a fact. Well, OK, my man Jim Bartlett recently discovered that I will put on pants and leave the house for a good cause.)

I’m busy, and rather amused, tonight making mental mashups from the following list: Noteworthy albums that happen to share a release date.

(All dates sourced from Wikipedia, so they could be complete nonsense.)

See if you can imagine what some of these would sound like for yourself if cut-and-pasted together.

Cosmo’s Factory, Creedence Clearwater Revival, and Free Your Mind … And Your Ass Will Follow, Funkadelic (July 25, 1970)

Church of Anthrax, John Cale and Terry Riley, and Tapestry, Carole King (February 10, 1971)

Live-Evil, Miles Davis, and A Nod Is As Good As A Wink … To A Blind Horse, Faces (November 17, 1971)

Approximately Infinite Universe, Yoko Ono, and Holland, the Beach Boys (January 8, 1973)

Head Hunters, Herbie Hancock, and Quadrophenia, the Who (October 26, 1973)

I Got A Name, Jim Croce, and Sabbath Bloody Sabbath, Black Sabbath (December 1, 1973)

High Voltage, AC/DC, and Rastaman Vibration, Bob Marley and the Wailers (April 30, 1976)

Blue Moves, Elton John, and Night Moves, Bob Seger (October 22, 1976)

Ahh … The Name is Bootsy, Baby!, Bootsy’s Rubber Band, and Low, David Bowie (January 14, 1977)

Damn The Torpedoes, Tom Petty and the Heartbreakers, and One Step Beyond…, Madness (October 19, 1979)

Live! Coast to Coast, Teddy Pendergrass, and Metal Box, Public Image Ltd. (November 23, 1979)

Nightclubbing, Grace Jones, and Shut Up N’ Play Yer Guitar, Frank Zappa (May 11, 1981)

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